Dave’s Picks Volume 60 contains the two previously unreleased complete concerts recorded on April 13 and 14, 1984 at the Hampton Coliseum in Hampton, Virginia on 4 discs, and was recorded by a reportedly “super-dialed-in” Dan Healy and mastered to HDCD by Jeffrey Norman at Mockingbird Mastering. In his “seaside chat” about the album, David Lemeiux, the namesake and overseer of the series, says he couldn’t believe they were at number 60. He calls the two shows “magnificent”, noting that one of the “Morning Dews” from the two was one of the best he had heard from the band’s 1980s performances. He also says that the second show is “really interesting”, as the set begins with “Scarlet Begonias” segueing into “Fire on…
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Given that 
As this album’s title implies, and her bio confirms, roots singer/songwriter 
A behemoth of an album, Trip the Night Fantastic arrives carrying the weight of big ideas, and an overriding belief in the power of community to spark social change. Built around the core chemistry of pianist Aaron Parks, guitarist Matthew Stevens and multi-instrumentalist Morgan Guerin, and delivered under the aegis of drummer, educator and changemaker 
Dan Barrett, also known for the dark ambient project Worms of the Earth, runs 
Hildur Guðnadóttir celebrates two decades of music on This Will Be Us, placing old compositions in new skins with Robert Ames and the DSO Berlin. When initially recording her first album, Mount A (as Lost in Hilderness), she set out to “involve other people as little as she could;” now she admits, “I always dreamed of having more people playing with me.” This is not to say that the new versions are the definitive or even better versions, because there is great appeal in the intimacy of her solo work, which jump-started her career. In her early years she worked with luminaries such as Jóhann Jóhannsson, Ben Frost and Múm; in later years she has become famous for her scoring work, from the award-winning Chernobyl and The Joker to this year’s The Bride! and…
On Melting Pillars of Snow, Swedish composer 
There’s something of a throwback feel to 
There’s something wonderfully old school about the hype that has propelled 
Apocalypse takes many forms on Sigil, the second record from 
British guitarist 
Musical polymath Miguel Atwood-Ferguson’s credits number more than 350 recordings. Whether playing several instruments, composing, arranging, or producing, his work has accompanied Bilal, Shafiq Husayn, Marisa Monte, Ceu, Kandace Springs, and Anderson Paak to name scant few. In 2010, he conducted and arranged an orchestra playing the music of J Dilla on Timeless: Suite for Ma Dukes. In 2023, his 
During the pandemic, Spanish DJ and producer Oriol Riverola, aka John Talabot, found himself feeling lost. Beyond losing his primary source of income as his tour schedule evaporated, the complete lack of dance floors also left him feeling creatively strained.
…Like many of the pioneers who would go on to inspire the genre, 
…newly remastered and include five bonus tracks: rare single edits, alternate versions, and legendary electronic remixes from the archives.
Sometimes there’s music that makes you feel like you’ve been listening to it your whole life. It immediately gets under your skin and stays in your head forever. Even when an artist is new, their songs might sound as iconic to you as, say, J Mascis or Jason Pierce’s stuff. 
For anybody still convinced that Geese’s explosion in popularity was a fully botted psy-op rather than the natural byproduct of present-day digital marketing in a culture starved for new rock’n’roll saviors (and, you know, an album that’s actually good), allow me to offer 
The cliffsides of Big Sur, California are rugged, romantic, and seemingly endless. The shimmering coastline stretches both outward and upward, as the rocks the waves crash against hold the roots of the redwood trees, some of the tallest and most ancient in the world.